birch bark etching

The Wendigo

A story about a creature made entirely of hunger, which is either a supernatural entity from Algonquian tradition or the most accurate description of greed ever committed to folklore, and possibly both.

6 chapters. Set in Great Lakes region, North America.

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Chapter 1 illustration: What It Is
The Wendigo
Chapter 1

What It Is

Before I tell you this story, I want to be clear about something: this is not a campfire tale someone made up. The wendigo is a figure from Algonquian spiritual tradition. Cree, Ojibwe, Innu. Nations with rich and complex cosmologies that existed long before anyone else showed up to write things down. The wendigo means something specific in that tradition, and it has been meaningful for a very long time.

So: the wendigo.

It is a spirit of insatiable hunger. Tall. Impossibly tall. Emaciated, even though it eats constantly, because nothing fills it. Described as gaunt to the point of being skeletal, with grey skin, matted hair, and a heart of ice. Literally. An icy, frozen heart that beats cold inside the chest.

It lives in the northern forests. The boreal. The deep cold where winter goes on for months and food runs out and the snow does not stop.

It is associated with winter. With famine. With what happens to people and communities when there is not enough to eat and the cold will not relent.

That is important. Remember that.

Chapter 2 illustration: How a Person Becomes One
The Wendigo
Chapter 2

How a Person Becomes One

Here is the part that changes the whole story.

A person can become a wendigo.

Not a fictional person. A real person. In Algonquian tradition, if a person, during a time of starvation, resorts to eating human flesh to survive, they begin to transform. The act of cannibalism is not just a moral failure. It is a spiritual one. It opens a door.

The transformation is not dramatic. It is not sudden. It is slow. The person begins to desire more of what they ate. The hunger does not leave when they eat. It grows.

This is the part of the wendigo story that I think is the most important: the hunger grows. The more you feed it, the bigger you get. But the bigger you get, the more you need. Nothing is ever enough. The satisfaction you thought you would find keeps moving further away.

The wendigo is always starving. Always has been. Always will be. No amount of eating changes this. It is built into the condition.

That is not a monster story. That is a description of a specific kind of destruction. The kind that tells you one more will do it, and it never does.

Chapter 3 illustration: The Hunger That Grows
The Wendigo
Chapter 3

The Hunger That Grows

Let me be specific about the growth problem, because it is genuinely interesting in a horrible way.

In the tradition, the wendigo grows every time it eats. Its body gets larger. Its stride gets longer. Its reach extends.

But its hunger grows proportionally. It is always the same amount of hungry relative to its size. So eating makes you bigger. Being bigger makes you need more. Needing more makes you eat. Eating makes you bigger.

There is no ceiling.

There is no point at which the wendigo thinks: yes, this is sufficient, I am satisfied, I can stop now.

It cannot stop. The structure of the condition prevents stopping. The hunger is the whole thing. The wendigo is not a creature that is also hungry. The wendigo IS hunger. The body is just hunger's temporary address.

The forest is full of wendigo stories precisely because the forest in winter is where hunger is most real. Where it has consequences. Where it has already cost everything and is still asking for more.

People who survived starvation winters, who had made terrible choices in order to survive, carried this story with them. It was, among other things, a way of understanding what that kind of desperation costs.

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Chapter 4 illustration: Jack Fiddler
The Wendigo
Chapter 4

Jack Fiddler

Here is where the story becomes history.

Jack Fiddler was a Cree chief. He lived in northern Ontario. He was born sometime around 1840 and was a respected leader and spiritual practitioner in his community.

He was also known, in his community, as a wendigo killer.

Not a fighter of supernatural monsters. A man who identified people in his community who were transforming: who had shown signs of wendigo psychosis, which is a documented historical phenomenon where a person becomes convinced they are transforming and begins to exhibit behaviors associated with the wendigo. The community would call on Fiddler, and he would make a decision.

In 1907, Canadian authorities arrested him. He and his son were charged with murder. The 'victim' was a woman in his community who had been very ill and who, by the accounts of the people around her, had been suffering from exactly this condition.

Fiddler escaped custody and died before the trial. His son was convicted and later pardoned.

You can think whatever you want about all of this. I am not here to tell you what to conclude. I am just telling you it happened, and it was real people, and the laws doing the judging were not their laws.

Chapter 5 illustration: The Moral Lesson
The Wendigo
Chapter 5

The Moral Lesson

Here is the thing about the wendigo as a story.

It is not actually about monsters. Or it is not only about monsters. It is about what happens to communities when individuals take more than their share.

In Algonquian cultures, sharing within the community was not optional. It was fundamental. You hunted, you shared. You had more, you distributed it. The community survived together or not at all. This was not philosophy. This was practical reality in a climate where winter could kill everyone if resources were hoarded.

The wendigo is what greed looks like from inside a tradition that understands exactly what greed costs.

A person who decides their own survival matters more than the group's survival, who takes and takes, who hoards when others go without, who consumes without limit: that person is a wendigo. Maybe not literally. But functionally.

The story is saying: we know what this looks like. We have a name for it. And the name is not 'successful.' The name is not 'ambitious.' The name is not 'just taking care of yourself.'

The name is a monster made entirely of hunger that cannot stop eating and is never full.

Which is, I think, one of the most accurate things anyone has ever said about greed.

Chapter 6 illustration: The Wendigo Now
The Wendigo
Chapter 6

The Wendigo Now

The wendigo is everywhere now. Movies. Video games. Novels. There is a whole genre of wendigo horror.

Some of it is respectful of where the figure comes from. Some of it is not. That is a conversation you can have with yourself.

What I will say is this: the versions that work best are the ones that remember the wendigo is not primarily a monster. It is a description of a condition. The hunger that grows. The thing that promises satisfaction and delivers only more wanting.

You do not have to live in a boreal forest to recognize it.

You do not have to face a winter famine to understand what it means to need something so badly that the needing becomes all there is.

The Cree and Ojibwe and Innu people who told this story first were telling it because they lived in a world where winter was real and hunger was real and community was the only answer to both.

That is still true. The winters are different now. The hunger looks different. But the answer is the same.

Share the food.

Don't be the wendigo.

Sleep tight.

The True History

The part where we tell you what actually happened.

Wendigo (also spelled windigo, wiindigoo) is a figure from the spiritual traditions of multiple Algonquian-speaking peoples, including the Cree, Ojibwe, Innu, and others. The specific attributes and stories vary between nations, and the wendigo in Ojibwe tradition differs in some respects from the wendigo in Cree tradition. What is consistent is the association with winter, famine, greed, and the spiritual consequences of cannibalism.

Wendigo psychosis was documented by Western ethnographers in the late 19th and early 20th centuries. It describes a condition in which individuals believed they were transforming into wendigos and sometimes developed associated behaviors. Some anthropologists have argued the phenomenon was exaggerated or misunderstood by outside observers; others treat it as a genuine culture-bound syndrome. The debate continues.

Jack Fiddler (Zhauwuno-geezhigo-gaubow) and his brother Joseph were arrested in 1907. Jack Fiddler escaped and died shortly after. Joseph was convicted but pardoned in 1909. The case raises significant questions about the imposition of colonial law on Indigenous spiritual and community practices. It is documented in historical Canadian legal records.

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